It gives the music such a great vibe and sound, it really is great. I'm not even finished with Aceetobee yet, but this ending jam is so freakin' uplifting, with Magner playing PIANOOO!!!!! Its so nice to hear him on the piano, finally. I didn't know the Disco Biscuits ever had this ability. Its not just jamming on the main structure of each part. You know how with a good Phish jam, Mike will introduce a new note, and the entire band will shift into a new blanket modality? They're doing that here the music is changing. I've never heard them toy with the tonality and modality of this song, and not just with the jam portions. Its so fucking cool.ДЄnd then the transition into Aceetobee.ugh. they are 'jamming' with the composed parts, letting the written sections bloom into unique, one-time-only versions based on the little flourishes each member gives the music. They start the song, and it becomes like an early-90's Phish thing.

The real butter here starts with Memphis I've never heard them toy with this song so much before. The beginning of the show is really cool, with the Uncivilized Area medley actually being very effective with the transitions between song segments. Not with this show, though this may be my very favorite Disco Biscuit show now, because the music here is so fluid, so fresh, playful, and they actually jam on the music, letting the composed sections take on a life of their own. Yes, the Disco Biscuits are great at what they do now, but its become quite limited. Because with U-Melt and Phish, the musical variety is so vast even within each song, that you are always being presented with something fresh. So, the Disco Biscuits have never been one of my ultimate 'top' bands, because they've become so one-dimensional these days that I just can't take whole-shows of them all that easily.

Betty boop blanket